Words by: Simon Difford
Photography by: Dan Malpass
First documented in Harry Johnson’s 1900 Bartenders’ Manual, the Tuxedo, basically a riff on a Fifty-Fifty Dry Martini, is one of those classic cocktails which, over the decades, acquired different variations on the same theme, along the way some of them being delineated with No.1, No.2, etc. There are five distinct classic Tuxedo recipes, plus some very tasty modern renditions…
The Tuxedo is one of the numerous Martini-style cocktails that were in vogue in the late 1800s and early 1900s, with the first recipe for a “Martini” appearing in Harry Johnson’s 1888 Bartenders’ Manual. It is perhaps no coincidence that, 12 years later, the first Tuxedo recipe appears in the 1900 edition of the very same book.
That book, Johnson’s 1900 Bartenders’ Manual, also boasts the earliest known Marguerite Cocktail recipe, which like his Tuxedo recipes also comprises equal parts gin and vermouth. Indeed, a Marguerite is near as damn to a Tuxedo No.2 (see below).
As David Embury writes in The Fine Art of Mixing Drinks, the Turf cocktail (noted as being the first cocktail combining gin and vermouth) is “A Dry Martini with 1 or 2 dashes each of maraschino, Angostura, and orange bitters to each drink. The same drink with a dash of absinthe is called the Tuxedo.” Similarly, the Imperial Martini only lacks a dash of absinthe, to have the same recipe as a Tuxedo No.2. But I digress. We tackle the evolution of the Martini elsewhere on this site so let’s concentrate here on recipes that are titled Tuxedo.
That first Tuxedo recipe, in Harry Johnson’s 1900 Bartenders’ Manual, which I call the Tuxedo Original, stipulates equal parts old tom (sweet) gin and French (dry) vermouth with “1 or 2 dashes of maraschino; 1 dash absinthe; 2 or 3 dashes of orange bitters” stirred and strained into a cocktail glass “putting in cherry, squeezed a piece of lemon peel on the top.”
This old tom gin-based original Tuxedo recipe, bar the odd dash of bitters, appears verbatim in Hoffman House Bartender’s Guide by Charles Mahoney (1912) and in Barflies & Cocktails by Harry McElhone (1927). It also appears in Jack’s Bar Manual by Jacob Abraham Grohusko (1910), but Jacob’s recipe calls for Italian (sweet) vermouth instead of French (dry) vermouth. Three of these revered bartenders (McElhone, Mahoney and Johnson) call for 1 dash maraschino, 1 dash absinthe, and 3 dashes of orange bitters, while Grohusko stipulates 3 dashes Angostura Bitters in place of the orange bitters. [See table below.]
Hoffman House Bartender’s Guide (1912)
Barflies & Cocktails by Harry McElhone (1927)
We’ve tried this recipe with 2 to 3 dashes of Angostura and also orange bitters, but we prefer it with 2 dashes of both Angostura and orange bitters.
I should also mention Tim Daly's rendition of the above recipe in his 1903 Daly’s Bartenders’ Encyclopedia, also equal parts gin and vermouth, but he stipulates “maple gin” which I presume is an old tom-style of gin sweetened with maple syrup rather than sugar. [Now there’s an idea for some enterprising distiller in our present gin boom.]
Daly’s Bartenders’ Encyclopedia (1903)
By the time Harry Craddock wrote his seminal The Savoy Cocktail Book in 1930, the above original recipe had changed, to account for the presiding fashion preference towards all things dry, particularly Martinis, with dry gin in place of old tom (sweet) gin.
Craddock handily delineates this Tuxedo version of the recipe as being “No.2”, as does Patrick Duffy in the 1934 and 1940 editions of his The Official Mixer’s Manual. Both Craddock’s and Duffy’s Tuxedo Cocktail No.2 recipes are identical to Johnson’s 1900 recipe, bar the change of gin base from sweet to dry.
The Savoy Cocktail Book (1930)
Somewhat bizarrely, quite separate from the two above No.1 and No.2 Tuxedo recipes, in a section of the book for sherry-based cocktails, Duffy also publishes a third, gin free “Tuxedo Cocktail” recipe: “1/2 Pony Anisette; 2 Dashes Maraschino; 1 Dash Peychaud Bitters; Stir well with cracked ice, strain and serve.” This left-field version of the Tuxedo may share the same name but is no relation to the cocktail in question on this page and apart from a 1970 appearance in Stan’s Bar Guide thankfully seems to have quietly faded.
Logically, you’d think the “original” Tuxedo recipe would be No.1, but this is not the case. (That is unless I’ve missed a recipe pre-dating 1900.) Craddock titled his lemon peel, dry gin, dry vermouth, and dashes of absinthe recipe Tuxedo No.1, and such was/is The Savoy book's influence that this version has become known as No.1, while the version that's closer to the original is known as No.2. Duffy copied both of Craddock's naming regime with identical Tuxedo No.1 and No.2 recipes in the 1934 and 1940 editions of his The Official Mixer’s Manual, so reinforcing the recipes and their associated names.
The three recipes above are broadly the same, equal parts gin and dry vermouth with dashes of absinthe and such like. Our fourth Tuxedo recipe, No.3, appears in the 1904 Drinks As They Are Mixed by Paul E Lowe is quite different – instead of equal parts, Lowe stipulates two-thirds gin to one-third dry vermouth, the recipe also additionally calls for one barspoon of sherry wine. This two-thirds to one-third recipe with added sherry is repeated by Jacques-Straub in his 1914 Drinks.
Drinks As They Are Mixed (1904)
The use of sherry in a Tuxedo doesn't seem to have caught on, that is apart from at the Old Waldorf Astoria (which closed 1929 to make way for the Empire State Building) where Tuxedos apparently consisted two-thirds dry gin to one-third sherry (in pace of the usual dry vermouth) with a dash of orange bitters. This recipe is recorded in The Old Waldorf Astoria Bar Days published during the dark days of Prohibition in 1931 to coincide with the opening of the new Waldorf-Astoria. The recipe is followed by the notation, "After a settlement on the Erie R. R. where many customers of the Bar had country places.” A reference to the cottages and houses which were part of The Tuxedo Club estate, a club and gated estate overlooking lake Tuxedo in Tuxedo Park, 40 miles northwest of New York [see origins of the name below].
I can’t find a written recipe for this sherry heavy sin vermouth Tuxedo prior to 1929 [am I missing something? email@example.com] but in his esquire.com column David Wondrich says “there are other Tuxedo cocktails out there, but this one appears to be the original and is certainly the best.”
The evolution of the Tuxedo cocktail
With: Absinthe, dry gin, blanc vermouth, maraschino liqueur and orange bitters.
We say: Rich white vermouth and generous maraschino liqueur mellows the usual Tuxedo bone dryness while also adding aroma and flavour.
Get: Flora Bar’s Tuxedo No.2 recipe
With: Old tom gin, dry vermouth, bianco vermouth, maraschino, absinthe, Angostura Bitters, and orange bitters.
We say: Inspired by the numerous other Tuxedo recipes, this combines the best of them all (besides the sherry) but with a faint hint of sweetness (from the bianco vermouth and old tom) to balance generous dashes of absinthe and bitters.
Get: Difford's Tuxedo recipe
With: Mezcal, Lillet Blanc, maraschino, and Peychaud’s Bitters.
We say: Mezcal lends a lightly smoky note to this riff on the classic Tuxedo.
Get: Tuxedo Affumicato
The Tuxedo cocktail takes its name, not from the jacket, but the Tuxedo Club, a private member-owned country club near the village of Tuxedo Park, Orange County, New York State, USA, which opened 30th May 1886. It is widely presumed that the eponymous cocktail originated here sometime in the late 1890s. The club is also credited with being the birthplace of the tuxedo jacket, or at least it’s where the jacket’s American name originated.
The origins of the gentleman's black-tie dinner dress date from 1860, when Henry Poole & Co. of London's Savile Row made a short smoking jacket for the Prince of Wales (later Edward VII) as an informal alternative to white tie dress, then the standard formal wear. In the spring of 1886, the Prince invited James Potter, a rich New Yorker to Sandringham. When Potter sought the Prince's advice on dinner dress, he sent Potter to his tailor, Henry Poole. Back in New York Potter wore his newly acquired dinner suit at the Tuxedo Park Club which had recently opened. Other members of the club copied him and so the tailless dinner jacket acquired the club's name.